Ozcan ditch the two-drop format and opted for a slow buildup instead, adding to the epicness of this song. Raise Your Hands by Ummet Ozcanįor this release, Ummet Ozcan released “Raise Your Hands” off of Spinnin Records and has become a hit track for one of the best beat drop tracks of all time. The song instantly became a laser-blasting insanity of a track. Skrillex recorded “Bangarang” in 2011 and released it on Februoff of Big Beat, Atlantic, and OWSLA records. The album has become iconic in the EDM community and helped accelerate EDM into the masses. In 2013, Knife Party teamed up to release the hit track “Power Glove” off of the Haunted House album. Despite being removed from the Monstercat roster due to allegations against him, Aero Chord's songs continue to be highlights of the epic drops in EDM history. Surface by Aero ChordĪero Chord's 2016 release “Surface” was released on Monstercat Records and has been a pinnacle for some of the best beat drop songs of all time.

When Eric Prydz released his fourth single from his debut studio album, fans went crazy for the 2015 progressive house song “Opus.” The song starts at 31.5 BPM and gradually builds and accelerates to a 126 BPM range in just under 4 minutes. The song “Core” was released back in 2014 and has become one of RL Grime's most famous tracks in his discography for good reason.

Now, give us what the people NEED.“Who do the sh*t I do?” That's the question with this song and one of the beat drop songs by RL Grime ever. Seriously though, imagine hearing that infamous horse noise - THE horse noise that defined electronic music - on Spotify? Flume, you’ve given us what the people want - a remix of Eiffel 65’s Blue. In many ways, Flume’s Tennis Court remix was crucial in the Australian producer’s international rise - and, to a degree, Lorde’s rise too - and the fact that it’s not officially available on Spotify is a near-war crime worthy of the Governer General’s attention. It’s a national travesty that’s no doubt tied up to label deals and songwriting/production rights, but a national travesty nonetheless. How can we enjoy this new remix of Flume’s when the best one he’s done - the infamous flip of Lorde’s Tennis Court - won’t randomly come on when you shuffle your Spotify / Apple Music playlists, on the basis of it not being available on streaming? How is it that after six years of being thumped at every house party / club night there is on the planet, it won’t be able to come on at a house party, without having someone awkwardly load up YouTube and sit through an advert or two for it to happen? How is it that one of the best electronic songs ever created, is absent from the millions of playlists that think they feature the best electronic songs ever? It’s everything you could’ve dreamed of - a Hottest 100 winning remix in the making - that sees the old classic modernised and switched up with that signature Flume glitch, all in a bit of fun that keeps us going.

It was a very Tobias Funke-esque moment that had many questioning whether: 1) it was a legit remix on the way and 2) whether Flume had finally joined the Blue Man Group.Īs it turns out, the remix eventually did get finished and it’s just been made available on streaming services today, some two months following the initial tease. Around two months ago, Flume posted an Instagram that had him blasting a remix of Eiffel 65’s infamous Blue song (yes, the “ I'm blue da ba dee da ba daa” song), while coated in blue paint. If you’ve been online this morning, chances are you’ve seen Flume blue himself.

Tennis court flume remix